
As far as theatrics, Jackson brought her usual bag of tricks: Being overcome by (possibly real) tears during a burst of fan-thusiasm? Check. Picking a guy out of the audience to incorporate into her sadomasochistic number? Double check. She got out a bondage swing and some floggers for her latest disc’s title track, “Discipline.”
The stage featured layers of interwoven steel with a huge U-shaped extension allowing Janet to strut nearly halfway across the stadium floor. Costume changes brought the glam — ranging from a skin-tight gold lamé bodysuit (during opening track “The Pleasure Principle”) to a Hollywood-esque flowing red gown for the slow jams — but it did seem clear that Jackson, along with her nine dancers and minimalist band, put together a show that was less extravagant in terms of outfits and stage props, attempting instead to bring the bang with pyro and mini-explosions.
Three large screens offered close-up shots throughout the two hour and 20 minute set, as well as pre-recorded footage allowing “duets” with Nelly (”Call On Me”) and Dave Navarro (”Black Cat”). The show’s sole bizarre element was the inclusion of nearly nonsensical video vignettes designed to create a space-age good vs. evil battle: the “evil” Jackson sonically emulating Gollum from Lord of the Rings while the “good” Janet appeared in a white haze, eerily resembling the sunshine from the Teletubbies. While the onscreen Janets were confounding, the real-live Jackson was assured as she powered through the tightly choreographed 37-song set. She may have sang along to backing tracks, but she didn’t lip-synch.



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